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07-02-2009, 11:26 PM | #1 |
Cardboard Harp of Gondor Join Date: Sep 2001
Location: IM IN UR POSTZ, EDITIN' UR WURDZ
Posts: 6,433
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My dad and I had a great breakthrough lesson!
Tonight he did the lip bubbles, and we took it up to a C#4. I always stop him as soon as the voice starts to thin out, and it seems to have worked!!! His voice would always get thin as soon as he bubbled up to a B3, but today he did a solid C#. He didn't do quite as well on the 'woo' 'waa' 'wee' exercise. The tone was a little better, but he couldn't get it to pulse as freely. So we're trying something new, where he gently reattacks 'ah' very quickly. That went better, and I'm hoping it will be more effective. It's also a very quiet exercise, which I like because I know it will make him less self-conscious to do. Then I had him trying to sing 'Il Mio Bel Foco' and I realized the recit was just too low for him. He has the notes, of course... I THINK he's a baritone just like me, but for the moment his low notes are still so throaty that I'm afraid they'll pull back his placement all through the voice. So I switched him to 'Alma Del Core'. To see if he could hit the C# and D# for the song, I had him try attacking the notes and it WORKED!! I AM SO EXCITED! Now his throat is finally free enough that he can do the attack exercise my Bass teacher showed me. It really brought the voice into a better alignment. I had tried the exercise at the beginning of our lessons, but quickly realized that his throat was just too tight, he didn't have enough support, and he was not ready to start doing the hard attacks. We tested his range after that, once he'd gotten the knack of the hard attack, and he did it up to a very thin F4. The E4 was so-so, but up to the D#4 it was VERY solid! I'm certainly not going to have him trying to sing anything over a D# for now since I'm assuming he's a baritone, and it does sound like he has a break there. I want to get the middle voice more solid before we venture into an area where he needs to blend. I also had to stop him to explain that the hard attack is just a temporary thing. It's a great warmup and gets the voice aligned, and at first it's how we'll be attacking every phrase he sings, but I showed him how eventually the hard attack turns into a gentle attack. It was a little bit of a pain to have to fiddle-faddle around working to get the throat open, and using exercises that I knew we would eventually do away with once their purpose had been served, but I am SO GLAD now that they worked!! In fact, when he was just 'half-singing' to remind my mom of the piece their choir is doing on Sunday, I noticed that his voice is better placed and fuller. That's when you know that the muscles are starting to get used to making good sounds... when you can sing off the voice and it doesn't sound horrific . Used to be quite frightening when he'd sing off the voice, but now it sounds good! His support is also getting much better!! I keep having to remind him to attack notes from his support, not from his throat, but as soon as I remind him he'll do it right. He's also singing 'through' the exercises instead of letting the support drop off, so I'm very proud of him for that. I'm constantly reminding him to support, but he can actually do it now! Very exciting . I'm still not entirely sure about the vibrato thing. I think I can hear hints of it trying to creep in, but it's still very straight tone. I'm hoping we're headed in the right direction on that one. I'm not too concerned since we've only been working together for... a month? A little less, I think. We got the speaking program today and I listened to some of the first CD. Sounds fantastic! I think this guy really knows what he's talking about. I love the way he words things, the suggestions he makes, and his exercises are often variations on ones I've done with my good voice teachers. I'm going to start working with the program, so maybe in a week or two we'll see if I've made any progress at all . I realize that I just blab on and on, but I can't tell you what a relief it is . Most of my friends, if I try to mention technique stuff, just don't get it. It's nice to have someone I can talk technique to who actually understands what I'm talking about! Last edited by Tessar : 07-02-2009 at 11:31 PM. |
07-03-2009, 01:13 PM | #2 | |||||||||
Lady of Andúnië
Join Date: May 2009
Location: Andúnië
Posts: 572
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Wonderful!!
I'm sorry i'm a bit late in answering your posts, i haven't been on much in the last few days. But from the sound of it you've had a real concrete experience with singing by sensation. It's a learning experience, isn't it? Quote:
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" ...But the Exiles on the shores of the sea, if they turned towards the West in the desire of their hearts, spoke of Mar-nu-Falmar that was whelmed in the waves, Akallabêth the Downfallen, Atalantë in the Eldarin tongue." "Ye who believe in affection that hopes, and endures, and is patient, Ye who believe in the beauty and strength of woman's devotion, List to the mournful tradition still sung by the pines of the forest ... " ~ Henry Wadsworth Longfellow, Evangeline |
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