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Old 11-03-2004, 05:57 PM   #41
sun-star
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Let's try and keep this going...

What do you think of Lewis' naming pattern for Narnia and the other countries? I've always loved the names of the places - Cair Paravel, Archenland, Calormen (though that sounds like a medicine I had when I was a kid), etc... And "Narnia" is such a great word itself. Do you think there was a pattern, or he just choose names he liked? I know lots of the places within Narnia sound like odd English villages, which I love

*is asking questions at random, don't be mean*

(BTW - is it just me that can't read 'Tirian' without thinking 'Trinian', as in the girls of St Trinian's? )
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And all the time the waves, the waves, the waves
Chase, intersect and flatten on the sand
As they have done for centuries, as they will
For centuries to come, when not a soul
Is left to picnic on the blazing rocks,
When England is not England, when mankind
Has blown himself to pieces. Still the sea,
Consolingly disastrous, will return
While the strange starfish, hugely magnified,
Waits in the jewelled basin of a pool.
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Old 11-04-2004, 01:06 AM   #42
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I think Lewis just chose names he liked for the sound of them to convey characteristics. Since he and JRRT were friends and had discussed nameing patterns in relation to shared authors, I think he was careful of them. I have tried reading THE WORM OUROBORUS which has a completely off-putting nomenclature (as observed by JRRT) and I think both Inklings were careful in their choices though by different routes.
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Old 11-04-2004, 04:42 AM   #43
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One name choice I'm sure wasn't random: Aslan is Turkish for "lion".
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Old 11-04-2004, 06:58 AM   #44
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C.S. Lewis wrote "The Worm Ouroborus"?

I think nomenclature is very important for the tone and setting of the book. I don't like reading names that I can't pronounce, because then you read "and the Shela...brglbrgl... went to the store..." in your head, which throws you off.

I think "Cair" as in Cair Paravel, comes from the Celtic (IIRC) word Caer, meaning fort. A lot of places in Wales of Caer in the name, such as Caernarvon.
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Old 11-04-2004, 11:43 AM   #45
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NO, CS Lewis did not write THE WORM OUROBOROS. I fear I cannot recall the author vut I'll check at home. It was a book known to both CSL and JRRT which had elements of "Northerness" which they both enjoyed and defects of a serious nature.

Beren3000, I don't think anyone suggested that Lewis' choice of names was random. I certainly intended to say that he formed them for euphony (sound quality) and to convey some meaning. But I do NOT know of any critic who thinks he had sytematic nomenclature in the same way JRRT did (who was in fact writing to place his invented languages in a context!).

TCON certainly does not have the inner coherence and consistency of Middle Earth as wriiten, re-written, and back-written in LOTR by JRRT. Lewis stated that the inspirations for the Narnia books came to him in visual imagery. There is a discussion of the apparent discontinuities in Paul Ford's excellent COMPANION TO NARNIA if you would care to peruse it.
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"And there is always the danger of allowing people to suppose that our modern times are so wholly unlike any other times that the fundamental facts about man's nature have wholly changed with changing circumstances." Dorothy L. Sayers, 1 Sept. 1941
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Old 11-04-2004, 01:01 PM   #46
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Quote:
Originally Posted by inked
NO, CS Lewis did not write THE WORM OUROBOROS. I fear I cannot recall the author vut I'll check at home. It was a book known to both CSL and JRRT which had elements of "Northerness" which they both enjoyed and defects of a serious nature.
Wasn't the author of 'the worm ourobouros' a certain Eddyson or something?
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Old 11-04-2004, 03:02 PM   #47
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Has anyone read TCON in languages other than English? What are the names like in translation?
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And all the time the waves, the waves, the waves
Chase, intersect and flatten on the sand
As they have done for centuries, as they will
For centuries to come, when not a soul
Is left to picnic on the blazing rocks,
When England is not England, when mankind
Has blown himself to pieces. Still the sea,
Consolingly disastrous, will return
While the strange starfish, hugely magnified,
Waits in the jewelled basin of a pool.
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Old 11-04-2004, 05:59 PM   #48
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Beren3000, I don't think anyone suggested that Lewis' choice of names was random.
D'oh! My bad, then
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Old 11-04-2004, 06:43 PM   #49
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Quote:
Originally Posted by Beren3000
One name choice I'm sure wasn't random: Aslan is Turkish for "lion".
Oh really? That's cool!

Remember Turkish delight?
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Old 11-04-2004, 07:13 PM   #50
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Oh yeah. You know, when he first met the witch, I thought bad news. And not just because I had read "The Magician's Nephew". The Turkish Delight scene kind of outlines why she's bad news.

Do you think C.S. Lewis really likes Turkey?
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Old 11-05-2004, 12:27 AM   #51
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Turkish Delight was a specific candy which Lewis used NOT because it was a slight against Turkey the country or the bird! It is an exquisitely, indeed overly sweet concoction. I made the error of a Turkish Delight cappuchino ONCE and I'll never, never, never do that again. So, I think Lewis was using it as a symbol for an appropriate good (sweetness) taken in an improper mode (disproportionate pleasure) resulting in evil (traitoriousness) and (O felix culpa!) redemption.

But I never took it as a slight towards the people of Turkey or the birds !
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"The new school [acts] as if it required...courage to say a blasphemy. There is only one thing that requires real courage to say, and that is a truism." GK Chesterton
"And there is always the danger of allowing people to suppose that our modern times are so wholly unlike any other times that the fundamental facts about man's nature have wholly changed with changing circumstances." Dorothy L. Sayers, 1 Sept. 1941
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Old 11-05-2004, 09:27 AM   #52
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When I was younger I got very sick after eating too much Turkish Delight one Christmas, so that was a part of the story I could really relate to
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And all the time the waves, the waves, the waves
Chase, intersect and flatten on the sand
As they have done for centuries, as they will
For centuries to come, when not a soul
Is left to picnic on the blazing rocks,
When England is not England, when mankind
Has blown himself to pieces. Still the sea,
Consolingly disastrous, will return
While the strange starfish, hugely magnified,
Waits in the jewelled basin of a pool.
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Old 11-05-2004, 10:01 AM   #53
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Sun-star, would you be so kind as to describe the confection. I rather suspect there may be some confusion!
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"The new school [acts] as if it required...courage to say a blasphemy. There is only one thing that requires real courage to say, and that is a truism." GK Chesterton
"And there is always the danger of allowing people to suppose that our modern times are so wholly unlike any other times that the fundamental facts about man's nature have wholly changed with changing circumstances." Dorothy L. Sayers, 1 Sept. 1941
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Old 11-05-2004, 11:32 AM   #54
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It's a soft, spongy kind of sweet which is usually shaped into little cubes. The outside is dusted with sugar and the inside is like jelly (British jelly, not the stuff we call jam). It tastes like it's made of pure sugar, and even the thought of it now makes me feel sick

It looks like this:
Turkish Delight

but it's squishier than it looks.
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And all the time the waves, the waves, the waves
Chase, intersect and flatten on the sand
As they have done for centuries, as they will
For centuries to come, when not a soul
Is left to picnic on the blazing rocks,
When England is not England, when mankind
Has blown himself to pieces. Still the sea,
Consolingly disastrous, will return
While the strange starfish, hugely magnified,
Waits in the jewelled basin of a pool.
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Old 11-05-2004, 12:15 PM   #55
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Thank you, Sun-star, for the pix and the descrpx!!! From your testimony, I would gather that over-indulgence in Turkish Delight was a pretty good metaphor for too much of a good thing (a sin of excess with natural as well as spiritual concomintants ) taken at the wrong time (failure of duty) for the wrong reason (selfish versus greater good) in Edmund's case. The difference being you have developed an aversion to it and Edmund wanted rooms and rooms of it!!!

Notice the subtlety of Lewis in this depiction. The Witch says that the magic won't work more than once outside her castle (sin has its pleasure for a season in religious terms), Edmund is not satisfied (a legitimate pleasure taken illegitimately never achieves the imagined potential), and the Witch's definite limitations are glossed over with vague intentions of later satisfaction (the initial glitter of temptation is fool's gold at every point). NOT that I took this in on first reading nor does anyone I think.

What would you say?
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"The new school [acts] as if it required...courage to say a blasphemy. There is only one thing that requires real courage to say, and that is a truism." GK Chesterton
"And there is always the danger of allowing people to suppose that our modern times are so wholly unlike any other times that the fundamental facts about man's nature have wholly changed with changing circumstances." Dorothy L. Sayers, 1 Sept. 1941
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Old 11-05-2004, 12:50 PM   #56
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Oh, I know Turkish delight wasn't supposed to be a slight against Turkey I was just doing a free association type thingie!

I couldn't WAIT to try Turkish delight! I made it to England one day, and couldn't rest until I tried some - and I almost spit it out! I think it must be one of those things that you either REALLY love or REALLY don't - like peanut brittle. I'm more of a chocolate person, meself.
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Old 11-06-2004, 01:32 PM   #57
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I agree, inked, that it's an excellent metaphor for sin. It also helps keep the story at a level the youngest readers can understand - a craving for sweets is the kind of "childish" temptation which is appropriate for the age of Edmund and the readers!

It's difficult not to feel especially sorry for Edmund, though, when you remember the time period. In World War 2 many sweets were rationed, and the poor kid probably hadn't had anything nice to eat for ages...

(Incidentally, I'm curious - why did you say in your previous post "I rather suspect there may be some confusion" about Turkish Delight?)
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And all the time the waves, the waves, the waves
Chase, intersect and flatten on the sand
As they have done for centuries, as they will
For centuries to come, when not a soul
Is left to picnic on the blazing rocks,
When England is not England, when mankind
Has blown himself to pieces. Still the sea,
Consolingly disastrous, will return
While the strange starfish, hugely magnified,
Waits in the jewelled basin of a pool.
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Old 11-10-2004, 02:04 AM   #58
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I agree, inked, that it's an excellent metaphor for sin. It also helps keep the story at a level the youngest readers can understand - a craving for sweets is the kind of "childish" temptation which is appropriate for the age of Edmund and the readers!

It's difficult not to feel especially sorry for Edmund, though, when you remember the time period. In World War 2 many sweets were rationed, and the poor kid probably hadn't had anything nice to eat for ages...

(Incidentally, I'm curious - why did you say in your previous post "I rather suspect there may be some confusion" about Turkish Delight?)

Not my favorite sweet, I have to say. Did I mention that I had my first ale, nay my first drink, because of C. S. Lewis?
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Old 11-16-2004, 09:56 PM   #59
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That rocks! Was it at the Eagle and Child?

Tell us more...
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Old 11-17-2004, 07:45 PM   #60
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I've always felt strange around wardrobes, ornate wooden carved things lurking in corners. I grew up on a cranberry farm on the top of a hill. The farmhouse looked over the Couquil Valley, you could see the Couquil River as it wound its way into the white caps of the Pacific Ocean, just a mile away from our doorstep.....aye, it was more than beautiful, it was grand. My grandfather had built the home and it was in no way lacking plenty of windows overlooking the valley. Two of the bedrooms, mine and my uncle Frosty's, had closets that were built about 1.5 feet from the floor with two sliding wooden doors. Mine was full of ancient prom dresses, my clothes, and everything pretty. My uncle's was full of flannel, overalls, and everthing farmer. Mine was white and airy, his was dark and brown. When I was small I could disappear into either of these closets for the afternoon, lost in imagination as I entered one side and left out the other door into a new world.

While my imagination didn't need any help, Narnia gave me plently of ideas...Thanks Lewis!!
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